Because I couldn’t narrow it to 10. These are my top albums of 2007 thus far. I’m interested to see if/how the list will change in the next two months. The great thing about lists is that they always spawn, “no, you missed ___!” from someone, which is a good thing.
The Avett Brothers Emotionalism – This album is my favorite of the past two or three years. Within one hour of listening to this album, I had purchased every other album in this band’s catalog, and I’ve enjoyed it all.
Band of Horses Cease to Begin – I’ve been listening to this album for only a couple days, and I’m loving it. The vocals and overall sound are haunting.
Bright Eyes Cassadaga – As I said in my review of this album, I think it’s a masterpiece. The songwriting is where it starts, but Conner Oberst and crew have a sound that pushes this album to the next level. Horns, strings, keys, and voices, oh my! Bright Eyes will be at The Orpheum in Memphis next month.
Nathan Moore In His Own Words - I’ve been listening to Nathan’s music for almost a decade. Thamusemeant came through Oxford in 2000, and I fell in love with Aimee Curl’s voice. Long after they left town, I am still listening to their albums and have come to the realization that Aimee is my favorite female vocalist alive. At some point in those seven years of listening to Thamusemeant, I realized that I’m not just in love with Aimee’s vocals; I am also a big fan of Nathan’s lyrics. This album confirms what I always knew. Surrounded by his Frogville family, Nathan really puts it all together here.
Iron and Wine The Shepard’s Dog - If this album was a meal, I would borrow a phrase from friend and local food writer John T. Edge who I once heard describe a dish by saying, “the flavors just pop in my mouth.” The flavors of this album pop. There’s a lot going on here, but somehow it flows so effortlessly. Anyone who ever dismissed Iron and Wine as too slow and boring needs to come back to the trough. I would even go so far as to describe a few of the tracks on this album “fast paced.” The fact of the matter is that Sam Beam, one of the best songwriters/musicians of our time, is evolving…in a good way.
Backyard Tire Fire Vagagonds And Hooligans - A band I had never heard of until Honest Tune and Proud Larry’s brought them here in the spring. This album has this great ability to feel raw and polished at the same time. The sound is amazing and the songs are well crafted, and I can’t ask for much more than that.
Josh Ritter The Historical Conquests of Josh Ritter – I’ve been an M. Ward fan for a couple years, and Josh reminds me a lot of his style. I love it (obviously, or the album wouldn’t be on list), but it’s hard to define why I love it. The sound is a bit indie, but it just boils down to great musicianship and vocals. At times, it has the feel of something that would have been recorded in the 50′s.
Feist The Reminder – Did someone say great vocals? I’m a huge fan of great female vocalists, and I was first introduced to Feist a couple years ago by a friend who saw her open for Bright Eyes at The Ryman in Nashville. I’ve been impressed from day one, and I think this album was a great second step for Leslie Feist (the Apple commercial isn’t hurting the career either, I’m sure). I will throw her into the list of my favorite living female vocalists. She, Jolie Holland, Madeleine Peyroux, Aimee Curl, Rosamond Posey, Julie Lee, Felicia Ford, and Norah Jones would be where I would start.
Railroad Earth Elko - When jam-grass is executed to perfection, it’s a beautiful thing. Upbeat. Great vocals and lyrics. And there’s just something about great banjo. This is “get down” music. [Edit: I was mistaken on this one. It was released in 2006.]
Julie Lee Take Me Out To Hear The Band – Julie has an elegance that makes me think of a time when people said “dame.” As in, “Julie Lee is quite a dame.” Sometimes I just can’t resist comparisons, and this is one of those times. She sounds a lot like Billie Holliday and Madeline Peyroux to me. And while she is an amazing performer, her greatest strength may lie in her songwriting.
Modest Mouse We Were Dead Before the Ship Even Sank – One thing that I always look for in a band is “something different.” My favorite bands (Calexico, Thamusemeant, The Avette Brothers) can not be pinned down to one definition or category. Saying “there’s no other band that sounds exactly like this band” is a great compliment for a band, in my opinion. I feel like I can say that about those bands, and I feel like I can say it about Modest Mouse.
With a couple months left, some upcoming/new albums on my “to buy list” that could creep into this top albums list are new offerings from Taarka and Red Stick Ramblers. If forthcoming Rocket 88 and Hundred Year Flood albums are released in 2007, I’m sure they’ll be hard to leave off of an end of year list as well.
Honorable Mention (with love): Amy LaVere (Anchors and Anvils), Daybreakdown (Shine Like Rust), Fionn Regan (The End of History), Goshen (Lioness), Mayhem String Band (Rapscallions and Ne’erdowells), Tyler Keith (Do You Wanna Dance?), Lucinda Williams (West) and Son Volt (The Search).
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